Showing posts with label coming of age. Show all posts
Showing posts with label coming of age. Show all posts

Wednesday, March 30, 2011

The Book of Lost Things by John Connolly

c2006 Fiction; Grades 9+; 339 p. 2007 Alex Award Winner Library Journal: After the death of his mother, 12-year-old David mourns her loss alone in his attic bedroom, with only his books to keep him company. As his anger at her death grows with each day, the books begin to speak to him, telling their wild tales of dragons, princes, and knights. Soon reality and fantasy collide, and David finds himself in a land unlike his own, a world where monsters, evil sorceresses, and half-human wolves dwell. With the help of friends he meets in this strange land, David goes on a search for the King, who is said to have The Book of Lost Things; this book will help David find his way home. Along the way, David encounters many challenges that transform the boy into a man. In an intriguing change of pace from his crime novels (Bad Men; Every Dead Thing), Connolly's book takes readers back into the imaginations they once held as children, reminding them of the time when they created fantasy worlds before adulthood changed them forever.

Defining Dulcie by Paul Acampora

c2006 Fiction; Grades 7+; 168 p.
School Library Journal Starred Review: Strong and quirky characters who see life as an inextricable mix of sadness and humor, sorrow and hope, are the hallmark of this memorable first novel. When 16-year-old Dulcie's beloved dad dies, she and her mom leave her granddad in Connecticut and drive to California to start over. This doesn't work for the still-grieving Dulcie so she takes their truck and drives home to pick up the pieces of her old life and remember her father in all the old places. Her road trip and memories of it, along with events that occur once she arrives home, provide the figurative journey that begins her healing. Rather than being a sad or solemn read, however, the treatment is unexpectedly offbeat and, at times, wonderfully funny. By including details of Dulcie's interesting stops along the way, including her experiences with a field of fainting goats, Acampora demonstrates a Joan Bauer-like knack for making ordinary life worth a second look. Teens will appreciate both the warm security that surrounds Dulcie and the hard truth that life can be painful.

Tuesday, March 22, 2011

Marcelo in the Real World by Francisco X Stork

c2009 Fiction; Grades 9+; 312 p.
Publisher’s Weekly Best Children’s Book 2009
Booklist Starred
: Seventeen-year-old Marcelo is on the very high-functioning end of the autism spectrum. He prefers an ordered existence, which includes taking care of the ponies at Paterson, his special school; reading religious books; and listening to the music in his head. Then his father, a high-powered attorney, insists that Marcelo spend the summer working in his law firm. If he does his best, Marcelo will be given the choice of returning to Paterson or being mainstreamed. After finding a photo of a disfigured girl injured by the negligence of his father’s biggest client, Marcelo must decide whether to follow his conscience and try to right the wrong, even as he realizes that decision will bring irrevocable changes to his life and to his relationship with his father. That story alone would be thought-provoking, but Stork offers much, much more. Readers are invited inside Marcelo’s head, where thoughts are so differently processed, one can almost feel them stretch and twist as the summer progresses and Marcelo changes. Much of the impetus for change comes from his relationship with his mailroom boss, Jasmine. In a chapter near the end, Jasmine takes Marcelo to the family farm in Vermont, where he meets her raunchy father. It’s a scene many writers wouldn’t have bothered with, but the layers it adds mark Stork as a true storyteller. Shot with spirtualism, laced with love, and fraught with conundrums, this book, like Marcelo himself, surprises.

Over and Under by Todd Tucker

c2008 Fiction; Grades 9+; 275 p. 2009 ALA Alex Award
Booklist Starred:
Thomas Jefferson and Andrew Jackson are best friends—no, not the dead presidents! This Tom and Andy are 14-year-old boys whose last names are Kruer and Gray, respectively. Living in the hills of Southern Indiana, these boys have been chums since infancy. Why, they’re tighter’n grandma’s girdle, but now, in the summer of 1979, their friendship is about to be tested. The Borden Casket Company, where their fathers both work, is going on strike, and Andy’s dad is management, while Tom’s is labor. Worse, Tom’s cousin gets involved in an act of vandalism that goes fatally wrong. And what’s the big secret that Andy’s Mom and the handsome local sheriff share? Tucker’s first novel is a classic coming-of-age story filled with the kind of nostalgic adolescent adventure that is the genre’s sometimes overly familiar hallmark. But the setting is gracefully realized, the real-world intrusions of the strike are nicely integrated into the plot, and both boys are as likable as Labrador pups. Who could ask for anything more?

Monday, March 21, 2011

Stolen by Lucy Christopher

2010 Fiction; Grades 9-12, 299 p.
Publisher’s Weekly Starred: Christopher's debut is an emotionally raw thriller that follows the abduction of 16-year-old Gemma by Ty, a gorgeous, 20-something Australian who is in love with her and hopes to win her love in return. The fast-paced novel is written in the past tense as a sort of diary from Gemma to Ty, suggesting that she has escaped, though this makes the story no less suspenseful. Ty drugs Gemma in a Bangkok airport and transports her to the home he has built in the isolated Australian outback, believing he's rescuing her from shallow parents and a city life in London she never really fit into. Clever and determined, Gemma gathers her strength and plots numerous escapes to no avail. In the process, she encounters the wildness of her desert surroundings and carefully digs for Ty's weaknesses, patching together his complex history, including the extent of his six-year obsession with her. Gemma's fluctuating emotions are entirely believable-she's repulsed by Ty, but can't help recognizing the ways in which he's opened her eyes. It's a haunting account of captivity and the power of relationships.